From: Miguel Carrasquer
Message: 36408
Date: 2005-02-19
>Not so fast. Arno Verweij and me found out that most of the rulesI don't get it (apart from the fact that in my view all
>responsible for the rise of lateral mobility can be understood also
>in terms of the analogical generalization of low or high tones under
>fairly trivial conditions, e.g. generalization of L as the tone of
>all accusative endings starting from a system in which some
>accusative endings are H and others L.
>Both Hirt's and Ebeling's lawsI don't think Hirt's law has anything to do with final
>can be reformulated in terms of neutralization of the contrast
>between H and L in final syllables given certain phonetic conditions,
>with the "architoneme" being realized more like L than like H.
>I've not said it is pretty or preferable or even necessary, but itThere are good reasons not to reverse the description, the
>looks at least feasible, so it may be better to keep an open mind as
>long as so much is so uncertain.
>
>
>Note also that in K's scheme the reflex of the laryngeals has nothing
>to do with tone throughout the BSl period and that K sticks to
>Winter's original formulation of what we now call Winter's law, which
>does not depend on the place of the stress.
>
>
>So what Arno and me found was that the BSl segment of K's theory
>appears to be compatible in principle with the fairly long retention
>of inherent tone the MAS people like to operate with. But it is just
>an experiment all the same. It is not at all compelling, except that
>it taught us that it would be a good idea to keep an open mind.
>
>> The PIE tonal system, as far as it can be deduced from the
>> Greek and Vedic evidence, was very much connected to the
>> stress. Short stressed vowels had rising tone (udatta),
>> stressed long vowels also had (long) rising tone, except
>> when they were the result of contractions, in which case
>> they had (super)long falling tone (circumflex). Post-tonic
>> vowels had falling tone (svarita), all others were toneless
>> (anudatta).
>
>
>If you reverse the description, stress turns out to be an automatic
>consequence of the tonal movement within a word form. If I'm
>correctly informed, both the Indian and the Greek grammarians
>described their systems in terms of tonal movements.
>> Resonants (*m, *n, *l, *r, *w, *y) after a vowel (i.e.It's an attempt at showing that the Balto-Slavic and Greek
>> diphthongs) had falling tone in Balto-Slavic, which was
>> possibly inherited from PIE. In that case, Greek has given
>> up the feature for *m, *n, *r, *l (e.g. in <poimé:n> the -n
>> behaves as a plain consonant, not affecting the tone, which
>> was originally circumflex as in Lith. piemuo~).
>
>
>This looks like an intrusion of foreign elements into the discussion.
>> I can find no evidence in Baltic and Slavic that theIf something like Dybo's law also occurred in Old Prussian,
>> stressed vowel had rising/high tone.
>
>
>Well, to the MAS people the stress assignment rule ("konturnoe
>pravilo")*is* the evidence. (Note that there is no direct link with
>the tones earlier investigators have postulated for PIE and PSl. In
>K's theory "acute" means 'glottalic' until very deep into the history
>of the separate branches.)
>
>
>> Dybo's law in Slavic
>> and Saussure's law in Lithuanian rather suggest the
>> contrary: a short stressed vowel had falling tone (Dybo's
>> law might suggest that svarita vowels had rising tone, but
>> this is not confirmed by Lithuanian).
>
>
>Both Dybo's law and de Saussure's law are so recent within the
>respective branches of BSl that the conditions they presuppose cannot
>be projected back without further ado into the BSl period.
>I'm not going to comment on your proposals. What I'm trying to do is=======================
>clarify the MAS scheme and K's theory, so that effective criticism
>may some day become possible.
>
>Willem