From: Nyanatusita
Message: 4744
Date: 2016-09-21
Dear Bryan,
At Pa
Auk monastery a course is followed in which adepts practise
all. However,
the monks I know of in Sri Lanka chose one that they liked
or is recommended
by their teacher. The colour kasinas such as the blue one
tend to be easier to
practise because they are beautiful and attractive.
In the chapter on temperaments in the Vimuttimagga,
the predecessor of the
Visuddhimagga, it is said: ''A person with a hate
temperament
should practise the four immeasurables, because these
overcome hatred.
Alternatively, he should practise the colour totalities,
because the mind is
attracted to them.''
A detailed description of the method of practice of Kasina
meditation as
practised at Pa Auk monastery is given in page 62 - 66 of
Knowing and Seeing
available at
http://www.paaukforestmonastery.org/books/1PAS%2001%20Knowing%20and%20Seeing%204th%20Rev%20Ed%20-%20pamc%20112014.pdf:P.
63:
''It
says in the suttas, that the white kasiṇa
is the best of the four colour kasiṇas, because it makes the
mind clear and
bright. For that
reason, let us first
discuss how to develop the white kasiṇa. You should first
re-establish the
fourth jhāna, so the light of concentration is bright,
brilliant, and radiant.
You should then use the light to discern the thirty-two
parts of the body
internally and then externally in a being nearby. Then
discern just the
skeleton. If you want to discern it as repulsive you can, if
not, simply
discern the external skeleton. Then take either the whitest
place in that
skeleton, or, if the whole skeleton is white, the whole
skeleton, or the back
of the skull, and concentrate on it as `white - white'.
Alternatively, if you
want to, and your concentration is really sharp, you can, if
you have seen the
internal skeleton as repulsive and reached the first jhàna,
take the skeleton
as white, and use that as your preliminary object. You can
also discern first
the repulsiveness in an external skeleton, and make that
perception stable and
firm, thus making the white of the skeleton more evident.
Then, you can change
to the perception of it to `white -white', and instead
develop the white kasiṇa.
With one of the objects of white in the external skeleton as
object, you should
practise to keep the mind calmly concentrated for one or two
hours. Because of
the strength and momentum of the fourth-jhàna concentration
based on
(mindfulness-of-breathing), you will find that your mind
will stay calmly
concentrated on the object of white. When you are able to
concentrate on the
white for one or two hours, you will find that the skeleton
disappears and only
a white circle remains. When the white circle is white as
cotton wool, it is
the uggaha-nimitta (taken-up sign). When it is bright and
clear like the
morning star, it is the paṭibhāga -nimitta (counterpart
sign). Before the
uggaha-nimitta arises, the skeleton nimitta from which it
arises is the
parikamma-nimitta (preparatory sign). Continue to note the
kasiṇa as `white -
white' until it becomes the paṭibhāga-nimitta. Continue
concentrating on the paṭibhāga-nimitta
until you enter the first jhāna. You will find, however,
that this
concentration is not very stable and does not last long. In
order to make it
stable and last along time, you need to expand the nimitta.
...''
I'm wondering that when/if kasina meditation is practiced, are all the 10 kasinas to be worked through? or does one choose one kasina (or have one chosen for him by his meditation teacher) that is relevant to his/her particular issues? Does anyone know if that is discussed anywhere in kasina practice?
Best wishes,
Bryan