From: etherman23
Message: 929
Date: 2004-04-01
> --- In nostratic@yahoogroups.com, "etherman23" <etherman23@...>wrote in
> Message 927:Three seems to be standard but there's still plenty of room for
> > Some issues to be addressed:
> >
> > How many laryngeals and what was their manner of articulation?
>
> There seems to be a general consensus that there were three of
> them, with some inconclusive evidence of voicing to complicate the
> picture. Precise phonetic articulation is difficult to identify.
> I'm not even sure we can disprove the hypothesis that the vowel
> colouring we see is in fact the preservation of original vowel
> contrasts otherwise lost in the development
> of qualitative ablaut.
> > Was there a feminine gender?I think that's the general opinion but I don't know if the door has
>
> I thought it was generally agreed that Indo-Hittite had animate v.
> inanimate and that Indo-European proper innovated the feminine
> gender.
> > How many vowels were there?As I said, this is pretty much my opinion. I've begun looking at the
> A 3-vowel system, short and long, can be used as a basis which also
> explains some consonant alternations. Less ambitiously, one can
> also work with a 4-vowel system (2-vowel if you regard /i/ and /u/
> as syllabic consonants), without original length. Such analyses
> cry out for Nostratic material to constrain them.
> > What was the origin of e~o alternation?Not sure if I can buy into this one. Why would this effect only the
>
> If you trawled Cybalist, you'd find a consistent set of
> explanations with at least 3 different origins for /o/:
>
> 1) For the thematic vowel, /o/ before voiced consonants, /e/ before
> voiceless consonants, so the nominative singular animate ending
> should be *z.
> 2) Influence of stress.This one is most appealing to me. I would derive *e from stressed *a
> 3) A strong suggestion that is some formations /o/ derives from anI hadn't thought of that (although I'm looking at infixing to explain
> infixed element that was originally prefixed.
> Another alternative is that the ablaut is a very ancientI don't know if it could be too ancient. Most likely post-Nostratic
> morphological contrast, not to be explained by accent effects.