From: Scott
Message: 10171
Date: 2009-04-13
Schleiman’s “discovery” of the tomb of Agamemnon was more remarkable than his “discovery” of Troy .
Many explorers had dug in Mycenae without success. When Schleiman got to Mycenae , he asked
a local where he should start looking. The local took him to the exact spot, saying everyone here
knows where Agamemnon was buried but you’re the first to ask. Schleiman dug down and found
a rich tomb. Whether it was Agamemnon or not, he unearthed the treasures of a great king of
4500 years ago, as some have dated it. And all he had to do was ask.
Scott Catledge
Professor Emeritus
From:
norse_course@yahoogroups.com [mailto:
norse_course@yahoogroups.com ] On Behalf Of warcharger2000
Sent: Sunday, April 12, 2009 6:30
PM
To: norse_course@yahoogroups.com
Subject: [norse_course] Re:
futhark
haven't been able to get to the computer; but i've
been wanting to post on this topic. i've found that the whole v,w runes to be a
interesting study. I have always wonder way in the elder futhark it is paired
with the u... ?
Hail to you all
Uruzz Tyrburr
--- In norse_course@ yahoogroups. com,
asvardhrafn@ ... wrote:
>for the clarification. As to documentation this is the same argument used against continuity of certain Celtic elements as well. Ie. Both were societies that the lore was all oral and the modern assumption is that if there isn't written record it can't have occurred this is also the divide between physical and linguistic anthropology. But this is the kind of thinking that caused Heinrich Schleiman to dig through the real Troy because was looking for the Troy written of by Homer who was likely not on hand for the battle in the first place. The fact the profs statement mention the problem of origins of the runes he would likely say there is no way to prove me wrong or right if one goes by the recorded documents.
> To answer yes that was what from your account seemed to be conveyed thanks
>phonetic
> Asvard
> Sent from my BlackBerry device on the Rogers Wireless Network
>
> -----Original Message-----
> From: Eyja Bassadottir <eyja.gellir@ ...>
>
> Date: Wed, 8 Apr 2009 20:34:17
> To: <norse_course@ yahoogroups. com>
> Subject: Re: [norse_course] Re: futhark
>
>
> I'm not entirely clear: are you saying that in my retelling of Liberman's
> lecture that he meant that the runes were not understood for their
> value? If so, I did not mean to convey that. I don't remember Libermanthe
> remarking, nor concluded from what I heard, that they did not understand
> phonetic values of the runes, just that they were not bound to how wewould
> use them (purely for the phonetic value and nothing else).etc.?) As I remember from the lecture, Liberman mentioned that
>
> "...a magical symbol also incorporating names"
> >
>
> I'm a little confused here as well. Are you referring to the names of the
> runes (' ur ',
> the names used for the runes (' ur ',etc.) are only documentable until
> post-Viking Age usage, and so he could not remark upon them or concludewhen
> the names were developed. He also mentioned that it's difficult to deduce*
> when* runes began to be used for magic, since the only documents thatallude
> to this were produced in the 13th c. (the sagas) about 1100 or 1200 yearswell
> after they were first created. It could be that the magical use for the
> runes did not develop for some time.
>
>
> ~Eyja
>
>
> On Wed, Apr 8, 2009 at 8:15 PM, <asvardhrafn@ ...> wrote:
>
> >
> >
> > I would disagree with the esteemed professor in that the futhark's
> > developed use as a magical symbol also incorporating names that usethe
> > sounds that he believe that the so called primitive Germanics onlylater
> > fully understood the use of. I don't dispute thay they likely aquiredthe
> > idea of writting from some one else. I would more likely point towestern
> > use of Chinese pictograms for their symbology rather than for theiruse in
> > the construction of comound words. I fully understand the pictogrammwen
> > (door) has linguistic uses like being the basis for the wordlightning but
> > would be more likely paint it by my door if I was into Taoism as anod to
> > the guardian spirits without needing to comprehend its full usage.system in
> >
> > Asvard
> >
> > Sent from my BlackBerry device on the Rogers Wireless Network
> >
> > ------------ --------- ---------
> > *From*: Eyja Bassadottir
> > *Date*: Wed, 8 Apr 2009 19:42:18 -0500
> > *To*: <norse_course@ yahoogroups. com>
> > *Subject*: Re: [norse_course] Re: futhark
> >
> > On Tue, Apr 7, 2009 at 8:52 PM, llama_nom <600cell@... >wrote:
> >
> >>
> >> The younger futhark (Viking Age runes) is an ambiguous writing
> >> many ways. Not only is vowel quantity (length) not marked, butvowels of
> >> several different qualities could be written with the sameletter. In some
> >> systems, voiced stops weren't distinguished from voiceless stops.How w ill
> >> someone know if they're saying the word correctly? Often they won'tknow! In
> >> the era when the inscriptions were made, when people spoke thelanguage,
> >> they'd know they were pronouncing a word right if they guessedrightly which
> >> word was intended, just as someone reading Arabic or Hebrew hasto supply
> >> the vowels from their own knowledge. But there would stw:st="on">ill have been
> >> ambiguities. Although there are vowels in the futhark, there wasno one
> >> fixed convention for how to spell words. Nowadays, we have toguess as best
> >> we can at what the writers meant.w:st="on">ill debate on
> >> .
> >>
> >>
> > Another thing that makes it ambiguous is that scholars st
> > which way the runes were read/written. Depending on the orientation,you
> > might get different meanings (especially with the ambiguity of therunes
> > letters).
> >
> >
> > I recently listened to a lecture by Professor Anatoly Liberman on the
> > ("One More Hopeless Attempt to Explain the Origin of the RunicAlphabet").
> > One of his points was that when runes appear (first inscription wasaround
> > 1st or 2nd century CE -- I wrote down 1st in my notes but his handoutsaid
> > 2nd) -- and afterwards as they were used, the inscriptions were shortand
> > extremely uninteresting, and of course change depending on which wayyou
> > read them. There's even a spear that repeats the same rune over andover
> > again (I believe ' ur ')or some items even have the entire FUTHARK written
> > out. To our modern minds, this seems odd -- we use writing to producepoints:
> > sensical communication through sentences. But Liberman made two
> >purpose
> > 1) that he believed that the runes were not used for their original
> > (i.e. used for magic (at least by the 13th c. when the sagas werewritten)
> > but not *made* for that purpose) (ex. give a math textbook to a threeyear
> > old and he'll devise several good uses for it -- a stepping stool,for
> > instance -- but he doesn't use it for it's *original* purpose) [andthus
> > not used for that sensical sentence construction we use it for],--
> >
> > 2) that if you look at all alphabets, a single letter is never wanted
> > it's the *sequence *that's important ('v' just being a 'v', butentire
> > 'vvvvvvvvvvvv' being a sequence and thus important, or even just the
> > alphabet (in this case rune-set) produced) [and since theScandinavians were
> > not using the runes for our purpose, such a rune repeated would makesense
> > to them, for whatever purpose they meant it for]quaint and
> >
> > In his thought process, the Scandinavians thought the runes were
> > strange playthings, but coming from an entirely oral culture, notnecessary
> > (and thus playthings).lost
> >
> > All of his theories are unprovable (as he said, the truth is probably
> > to time -- if the truth was discoverable, it would have been found200 years
> > ago) -- the pitfall of etymology -- and is rife with landminds,(hence the
> > title of his lecture). He just believes, as any etymologist does,that his
> > theory is the *least* wrong.
> >
> >
> > Holliga,
> > Eyja
> >
> >
>