From: jouppe
Message: 53836
Date: 2008-02-20
>for my
> Jouppe,
>
> I really appreciate the careful thought you give to your answers
> questions.you as a
>
> You are obviously very knowledgeable, and I feel pleased to share
> resource on this list.who
>
> But, still, was *ü in the original PU vowel inventory?
>
> The reason I ask is because I am, what you might call, a Noahist
> believes that all languages descend from a common source.even *i,
>
> I can easily see a PU vowel scheme of *i, *a, *u, or *e, *a, *o, or
> *e, *a, *u, *o but it is difficult for me to see how *ü would fitinto any
> of the schemes above.mechanism
>
> I guess I am looking for you to tell me that *ü is a result of a
> or group of them as you explained for *ö, and consequently cannotbe
> earliest PU. It certainly would be the odd man out?of
>
> But, maybe I hope in vain.
>
>
> Patrick
>
>
> ----- Original Message -----
> From: "jouppe" <jouppe@...>
> To: <cybalist@yahoogroups.com>
> Sent: Wednesday, February 20, 2008 10:58 AM
> Subject: [tied] Re: Finnish KASKI
>
>
> Thinking more in depth I have to lay down a few caviats though:
>
> Quote
> > Let me put it to you that I believe Umlaut could be termed limited
> vowel
> > harmony.
> >
> >
> > Patrick
> Unquote
>
> In vowel harmony the vowels in the two syllables are "locked in
> tandem". In a certain sense this appears as the opposite of umlaut,
> in which the whole point is that one causes a change of the other.
>
> In the most typical germanic umlaut (at least nordic languages have
> other types as well) the vowel causes the phonemization of an
> allophonic vowel quality in the previous syllable only as a result
> dissapearing in itself. This is also a very different process fromof
> complete vowel harmony.
>
> If you want to see uralic vowelharmony as a rule whereby the vowel
> one syllable is conditioned by the other you must definitelyperceive
> it as the latter being conditioned by the first. Also this is thelip-
> opposite from Germanic.
>
> Also in Scandinavian umlaut not only "fronting" is at work, but
> also "lowering" and "brytning" (*-e- > -ja/jä-) caused by /a/ and
> rounding and "brytning" (*-e- > -jo/jö-) caused by /u/.
> Again very different from vowel harmony, where coexistance of front-
> versus back vowels is the only issue.
>
> Also Umlaut is a way of primarely describing a change in the
> language, while vowel harmony describes a state.
>
> All in all the phenomenons are similar but yet very different. I
> would almost go as far as to say they are mutually exclusive. You
> cannot make any sense of talking about i-umlaut in a language which
> is restricted by the rules of front/back vowel harmony.
>
> Some confusion may arise from the fact that in Finno-Ugric the final
> vowels, front /-i/ and back /-ï/, have merged into a phonemically
> neutral vowel /-i/ (in UEW /e/). In Finnish this vowel is realized
> [i] or [e], but it may very well coexist with backvowels because of
> its neutral history. Therfore kaski is allowed under this more
> limited vowel harmony.
>
> Other breaches has taken place as well in Proto-Finnic. One of the
> oldest is caused by Indo-European loanwords: -e- in the nucleus
> started to allow for an -a or an -o in the second syllable, like in
> kerta (<= balt) 'time (occasion), turn, once; layer' or pelto (<=
> gmc,) 'field'.
>
> As the vowel harmony erodes, umlaut could in theory become possible
> again. And lo and behold, Livonian actually has (unlike Finnish)
> developed an umlaut-system.
>
> Jouppe
>
> --- In cybalist@yahoogroups.com, "Patrick Ryan" <proto-language@>
> wrote:
> >
> > Jouppe,
> >
> > thank you: very informative and very interesting.
> >
> > If Uralicists want to avoid the (Germanic rather than "German")
> term Umlaut,
> > that is certainly their choice.
> >
> > Let me put it to you that I believe Umlaut could be termed limited
> vowel
> > harmony.
> >
> >
> > Patrick
>