From: elmeras2000
Message: 36710
Date: 2005-03-12
> >> I mean that in my view of Slavic accentology, any acute roota
> >> in a non-mobile paradigm attracts the accent, even if
> >> unaffected by Hirt's law. Let's call it the "jábloko-rule".
> >
> >This is important. Could you rehearse the main evidence for such
> >rule? What shows that the accent has been moved in jábloko?I am not sure I can accept this; it depends on the motivation for
>
> Mobile root (PBS *abó:l => obuoly~s etc.) (a.p. c),
> immobilized by stressed (dominant) suffix *-kó(m) (=> a.p.
> b). Stress retracted to Winter acute: a:bUlkó > a"bUlko (=>
> a.p. a).
>Was the infinitive morpheme ever accented in the iterative -ati
> The main evidence. Where shall I begin?
>
> Acutes caused by Winter's law (so no Hirt):
> sed-téi > sê"sti
> ed-téi > ê"sti
> beg-ah2-téi (Hirt)> beg-a"-ti > bê"gati
> beg-non-téi > bê"gnoNti
> vid-eh1-téi (Hirt)> vidê"ti > vi"dêti
> (in mobile ê-verbs the rule doesn't work:
> beg-eh1-téi (Hirt)> bêz^ê"ti, idem sêdê"ti)
> Double retraction:
> Cases like seh1i-ah2-téi (Hirt)> sêja"ti > sê"jati, rê"zati,
> etc.
> Failure of Hirt's law due to laryngeal breaking (*i/uH2/3):I do not see a significant correlation in this.
> byla` (but by"ti)
> vila` (but vy"ti)
> gnila` (but gni"ti)
> pila` (but pi"ti)
> z^ila` (but z^i"ti)
> Failure of Hirt's law due to euH, eiH, etc.:If the first set of verbs were reduplicated Hirt's law should work.
> c^u"ti (*keuh1-), du"ti (*deuh2-), rju"ti (*h3reuH-), etc.
> (there are a handful of exception in mobile verbs with *erH,
> *eNH: derti`, sterti`, perti` and peNti`, teNti`).
> >> [...]paradigms.
> >> >> Indeed not. But I have an explanation for o/e ablaut which
> >> >> works for nouns and verbs alike: *ó is the reflex of an
> >> >> earlier lengthened vowel (**a:) under the stress, and *é
> >> >> results from the same lengthened vowel in pretonic position.
> >> >
> >> >Then you don't have a place for /é:/ in the acrostatic
> >> >You just killed Narten and now act innocent.The vocalisms you begin with, and thereafter most of the rest.
> >>
> >> Absolutely not. You are right of course that Narten-forms
> >> are closely connected to the o/e-Ablaut I describe above.
> >> They are different aspects of the same thing.
> >>
> >> Actually, most of the phenomena falling under "Narten" are
> >> equally well described as cases of o/e-Ablaut according to
> >> my definition above. For instance, if we look in LIV for
> >> verbal forms classified as "acrostatic root presents", that
> >> includes:
> >>
> >> (1) forms that show /e/ in otherwise weak paradigms (e.g.
> >> the middle);
> >> (2) forms that have /a:/ in Indo-Iranian in an open
> >> syllable, not after a palatal.
> >>
> >> These might as well be cases of o/e-Ablaut.
> >>
> >> We are left with a relatively small but important group that
> >> shows strong forms with /e:/ and weak forms with zero or /e/
> >> (Ved. dá:s.t.i, má:rs.t.i, rá:s.ti, s'á:sti, tá:s.t.i;
> >> ks.n.áuti, stáuti; perhaps some forms with BS /e:/, like
> >> sêkoN, smêjoN, tré.s^kiu).
> >>
> >> These forms reflect a lengthened vowel *i:, which regularly
> >> develops into /é:/ under the stress. That there are much
> >> fewer cases of /e:/ than there are of /o/ is as expected,
> >> given that /o/ is the result of the lengthening of both */a/
> >> => /a:/ > /o/ and */u/ => /u:/ > /o/, while only */i/ =>
> >> /i:/ gives /e:/. In the weak grade, we would expect *i: and
> >> *u: to give zero, while *a: gives /e/. In practice, there
> >> has been some levelling (zero grade in má:rs.t.i, mr.jánti;
> >> stáuti, stuvánti; but /e/-grade in e.g. tá:s.t.i
> >> [*té:tk^-ti], táks.ati [*tétk^-n.ti]).
> >>
> >> The levelling may have affected the expected Ablaut of roots
> >> with original *u (o ~ zero) even more, at least I can't
> >> think of a good example right now (the o ~ 0 Ablaut of the
> >> perfect must explained otherwise). Presumably, there was a
> >> tendency to unite the three expected Ablaut grades (o ~ e, o
> >> ~ 0 and e: ~ 0) into either o ~ e or e: ~ e.
> >>
> >> There is one instance where perhaps Narten is endangered by
> >> something you proposed, namely the explanation of Vedic 1sg.
> >> past middle -i as from reduced *-h2. If we compare the
> >> behaviour of the element *-e- added to the stative endings
> >> *-h2, *-th2 etc. in the middle versus the
> >> perfect/hi-conjugation, we see that this *-e- always carries
> >> the stress in the middle forms (*-h2ái, *-th2ái, *-ói,
> >> *-ntói, leaving the root in zero grade), while in the
> >> perfect it is unstressed in the singular (o-grade + *-h2e,
> >> *-th2e, *-e), but stressed in the 1/2 plural (zero-grade +
> >> *-mé, *-té or something similar), and appears to be absent
> >> in the 3pl. (perhaps expected *-né (*-ré) was replaced by
> >> *-én > *-ér(s) here). But if -i indeed comes from *-&2 (I
> >> would actually prefer *-h2-i, but that's not the point),
> >> then perhaps the element originally behaved similarly in
> >> both middle and perfect, and the middle singular once
> >> regularly had e-grade and stress on the root, before it was
> >> polarized as an end-stressed form. In that case, "Narten
> >> middles" are in fact archaisms unrelated to the rest of the
> >> Narten system. If my analysis of the middle vs. the
> >> perfect/hi-conjuation is correct ("I have to X" vs. "I have
> >> X'ed"), we wouldn't expect "lengthened grade" (e: or o) in
> >> the middle anyway.
> >
> >You have lost me completely here. We are just not communicating;
> >seems a pity.
>
> What don't you understand?
>Of course I understand that, it is in fact very close to what I
> My hypothesis was that the stative endings (*-h2, *-th2,
> etc.) [originally an enclitic copula "I am", "you are",
> etc.] when extended with the element *-e can roughly be
> translated as "I have", "you have", etc. (by way of a "mihi
> est" construction). When added to a verbal form that we can
> roughly render as a past passive participle, we get the
> perfect/stative "I have X'ed", and when added to a kind of
> infinitive, we get the middle "I have to X" (for
> involuntary, accidental and other acts over which the
> subject has no control). We can see by the endings that the
> middle and the stative are related, but I have never seen an
> explanation that made sense and could be summarized in a few
> words of *why* that is so. I think this one makes sense,
> and can be summarized summarily as: "the endings mean "to
> have"."