From: MrCaws@...
Message: 9874
Date: 2001-09-30
> Mr.Caws:referring
> >But I do think that Aphrodite's Cyprus birth story might be
> >to Turan as worshipped by Tyrrhenian speaking Eteo-Cypriot writers,attestation
> >and that Troy's special relationship with Aphrodite might be to a
> >Tyrrhenian Turan. Maybe.
>
> Well, I'm not going to fight you on the power of *Xastora. The whole
> reason why I reconstruct the name for Neolithic Proto-Tyrrhenian is
> because the name just pops up everywhere across the Mediterranean.
> Since it's reasonable to presume that Tyrrhenians had a long history
> of sea trade, this goddess must have travelled around at an early
> date to reach languages like Semitic (*`aTtar-... with initial
> ayin!) and possibly also Egyptian (Hathor, natively reanalysed as
> "House of Horus", again suggesting an initial laryngeal). That,
> together with its correlation to IE *xste:r, and its later
> as Turan in Etruscan, all makes for a totally righteous theory.Add Pelasgian Eurynome to the list of primordial creation deities.
> Even if we examine the surrounding mythologies of the area, we
> find oodles of cases showing that there is some matrifocality going
> on underneath these belief systems. Basically, it shows that the
> beliefs of the Mediterranean developed from the simple and logical
> observation that since it is the female who gives birth to life,
> it must be that a woman gave birth to the entire universe (note
> Nyx and the story of creation). This is *Xastora as she was
> originally understood.
> At some point, it appears that *Xastora was divided intoI can definetly go along with the world tree angle-Maybe the goddess
> three parts (three parts of the universe: sky, earth, waters) and
> given three split personalities to represent these three realms
> (maiden, mother, crone). She was also given appropriate animal
> symbolisms for each realm (hence the bird/serpent thing). This
> is probably when the whole idea of the upraised arms of goddess
> figurines starting popping up. The curved arms of these figurines
> represented the crescent moon, their eyes represented the sun and,
> in all, the figurines were purposefully posed as if she were the
> World Tree itself in the center of the universe with her
> arms being also suggestive of branches.
> Later, more symbolism became overlayed on top of the existingscheme.
> So eventually, we find that the goddess has turned into horns andI'm still struggling with the symbolism of the double axe-I've also
> a doubleaxe. The horns are the crescent moon (her abstractified
> arms), the doubleaxe (her eyes) represent the sun, and overall, she
> still represents the Great Tree in the centre of the universe.
> However, by this time, patriarchy was moulding these beliefs into
> something new - Enter the "two men".
> First, we see the goddess with husband and son, and then,I think this points to the axe as a sacrificial implement, the bull
> being courted by two rivalling suitors (lo and behold, one with
> a doubleaxe, the other with bullhorns). Finally, the goddess has
> nothing more than a secondary role to the two rivalling deities
> (eg: El/Baal, *Dye:us/*PerkWnos, etc).
> At any rate, I figure *Xastora would have held on best amongst theAnd the Greeks might especially remember the Tyrrhenian goddess,
> Tyrrhenians where this goddess cult was likely to have originated.