From: Peter T. Daniels
Message: 4755
Date: 2005-04-18
>In that case, Cohen is misusing (cheapening) the word. "Guess"
> --- In qalam@yahoogroups.com, "Richard Wordingham"
> <richard.wordingham@...> wrote:
> >
> > --- In qalam@yahoogroups.com, "suzmccarth"
> <suzmccarth@...> wrote:>
> >
> > I don't see what the problem is.
>
> James Fevrier used 'le neosyllabisme' for the Indic scripts and
> Marcel Cohen for the recent syllabaries of Guess, Evans and
> Pollard.
> So I don't know whether it is possible to use the word in Cohen'sApparently he thought it meant nothing more than "new syllabary."
> sense if it is, in fact, Fevrier's word.
> However, I am not sure whose word it is and it normally wouldn'tEtymologies tell us nothing about the meaning of the word.
> matter but we are trying to be exact in our etymologies so here
> goes.
> Fevrier published in 1959 but it was a second edition - I have notI have only the first edition. I once compared pages in the two editions
> seen the first edition, 1948, nor have I seen it quoted. He readily
> admits that the second edition includes additional material that
> was not in the first.
> Cohen says in his Ecriture (abrege), 1953, that his book "GrandeDitto Gelb's *Study of Writing*. Cohen's "Hamito-Semitic" dictionary
> Invention de l'Ecriture", 1958, in which he uses the word
> neosyllabisme, was actually written in 1947 and was then at the
> printer (in 1953). He started the book before the war but he
> stopped to fight in the resistance.
> So Fevrier's meaning is probably the one most recognized but IYes, he did. But Cohen's interpretation of it is pointless.
> find Cohen's writing more compelling. I would like to use the
> word 'neosyllabisme' in Cohen's sense. I do not dispute that
> Fevrier _might_ have used the word first but I don't know that.
> >If you mean recently developedBut not distinguishing between "unsophisticated" grammatogeny (Cherokee,
> > syllabaries,
>
> I do mean the recent syllabaries.
> >The biggest problem would be with the >taxonomy,He was not thinking of "recent syllabaries."
> > especially as it may not be capturing any evolutionary
> development.
>
> This is the best part. Fevrier thought that the recent syllabaries
> were "archaique and depasse" (sorry I am not on my own
> computer and don't know where to find the accents here.) He
> disapproved of them.
> Cohen says that 'le neosyllabisme' "pourait avoir de l'avenir". HeHe was thinking of syllabaries in general.
> was quite fascinated by them.
> For Fevrier, I would argue, there was a unidirectional evolution.Then he has misunderstood not only FĂ©vrier's point, but also the history
> For Cohen, I am not so sure. He talks about 'le syllabisme', then
> 'le syllabisme secondaire' of the Indic scripts and finally about 'le
> neosyllabisme' of the recent syllabaries.
> This makes me think that Cohen was not so firmly of the???
> evolutionary school. It makes me think of Vico's cursi e recursi -
> the ascending spiral but also a return. I think of 'le syllabisme'
> as Vico's poetic second stage. Vico, 1668 - 1744, was the one
> who had the idea of the ascending and descending complexity of
> language development.
> The point is that for Cohen there was a 'syllabisme' . Do weThere was? What was it?
> have a comparable expression in English? The syllabic mode?--
> This is quite important here in Canada where computers were a
> serious threat to Cree Syllabics until the late 80's. That was
> really when things turned around for 'aboriginal' scripts. (I say
> 'aboriginal' advisedly because there is a strong sense of
> ownership among the First Nations concerning this script. )