From: Peter_Constable@...
Message: 657
Date: 2001-11-13
>>Why? What is it that makes us willing to use "featural" to describeIt sounds, then, like every abugida would by definition (assuming your
>>a script? Obviously it has some limits; what are they?
>
>Shapes. A featural syllabary uses its glyphs to help you remember and
>recognize the sounds. "All these ones that look alike have a similar
>sound". A non-featural syllabary is a collection of shapes that have
>no systematic relation to the sounds they represent.
>Look at the script. See if it has any systematic relation betweenThat's a little more explicit. I think it should be fleshed out more,
>shapes and sounds, or if they're just conventional, unrelated to one
>another.
>>The shape P can also easily be morphedThat's exactly one of the points of the example: the definition you gave
>>into the shape D, and there is some commonality in terms of articulation
>>(they're both stops) in the sounds.
>
>Stopness seems pretty weak.
>>What exactly is your (or anybody's) meaning of "featural"?What I "vide supra"-ed wasn't explicit enough for me to know how to apply
>
>Vide supra.
>> >The West African syllabaries, some of them, do things like add dotsto
>> >in the centre to indicate some vowels. Whatever the system is, it's
>> >the systematic relation of glyphs to sounds that makes it featural.
>>
>>O systematically relates to certain sounds, but I don't see any reason
>>say therefore that Latin is featural.My point was your statement, viz. "it's the systematic relation of glyphs
>
>O? The letter O?
>>By this definition, every writing system is featural.Virtually every occurrence of "o" in English relates to a certain limited
>
>Whatever the system is, it's the systematic relation of glyph shapes
>to sounds that makes it featural.