Re: Dipavamsa passage

From: Nyanatusita
Message: 3752
Date: 2013-11-17

Dear Petra,

Thanks for the suggestions. There is support for them in the explanation of the phrase in the Pañcapakaraṇa-mūlaṭīkā (Be p. 48) which I just found. However, it takes none of the terms to refer to grammar:

Nāmanti yaṃ buddhādipaṭisaṃyuttaṃ na hoti mañjusirītiādikaṃ, taṃ nikāyanāmaṃ. Liṅganti nivāsanapārupanādivisesakataṃ saṇṭhānavisesaṃ. Sikkādikaṃ parikkhāraṃ. Ākappo ṭhānādīsu aṅgaṭṭhapanaviseso daṭṭhabbo. Karaṇanti cīvarasibbanādikiccaviseso.

Here is a rough translation:

''Name: that which is not related to the Buddha, etc., such as 'Mañjusiri' etc. as the name of the section (of scriptures of the Tipitaka).  Feature/attribute: making a distinction in clothing, dressing, etc.; it is a distinction in appearance. Requisite is a string,* etc..  Comportment is placing, etc.; it is to be regarded as the placing of the limbs. 'Making' is the distinction in the work of sewing robes, etc.''

*So PED. Sikkā is a 'pingo-basket' according to Buddhadatta's CPED.
Mañjusiri would refer to the Bodhisattva Mañjuśrī.

More tomorrow.

Best wishes,
                         Bh Nt


looking through Deokar's book on Technical terms ... of Pali grammars, I could not find the terms parikkhāra, ākappakaraṇiya or ākappa searched by you. Also Cone does not list ākappa as a technical term of grammar. By the way the Dīpavaṃsa verses are also quoted  in the Sp-ṭ I 116, and there you have the reading ākappakaraṇāni (in the Burmese edition).

I, therefore, see no chance whatsoever to link parikkhāra and ākappa-karaṇāni with grammar.

Given the context where many different things are listed changed by the Mahāsāṅghikas, couldn't it be that nāma and liṅga refer to their language, but parikkhāra (requisite) and ākappa (dress or comportment) to their outward appeareance? Karaṇa could form a third instance (forming a Dvandva with ākappa), and refer to the performance of their legal acts or form a Tatpurusa with ākappa ("the act of making dresses??).

pakatibhāva I would understand as the "common (i.e. original) state" which still is kept by the Theravādin, but changed by the Mahāsāṅghikas, thus I would come up with something like:

"Forsaking the common way regarding nouns, genders, requisites, dresses and performance [of their legal acts] (or: and the act of making [their] dresses??), they made it differently."

Best,
Petra







Am 17.11.2013 um 06:41 schrieb Nyanatusita:

 

Dear All,

Perhaps someone can help with translating an obscure passage in the Dīpavasa, which I need for an article I am working on.

Nāmaṃ liṅgaṃ parikkhāraṃ ākappakaraṇīyāni ca, / pakatibhāvaṃ jahitvā tañca aññaṃ akaṃsu te.  = Geiger, 5.38, 44, 50; SL edition (on GRETIL) verse 77, 83, 89.

This was translated by
Oldenberg in 1879 as:

Forsaking the original rules regarding nouns, genders, compositions, and the embellishments of style, they changed all that.”

The context is a description of the changes that the Mahasamghikas and other schools made to their canons and texts.


I checked Pali and Sanskrit dictionaries but found nowhere an indication that parikkhāra and ākappakaraṇīyāni can have the meaning of ““compositions, and the embellishments of style”.  Both parikkhāra and ākalpa can mean 'decoration' but what does this mean in terms of grammar? The first two terms, nāmaṃ & liṅgaṃ would refer to noun and gender. Could the two terms parikkhāra and ākappakaraṇīyāni perhaps refer to inflection or declension or the morphology of words,  ,e.g. a locative plural in -ehi instead of -esu; or a nominative singular in -aḥ instead of -o or bhikṣu instead of bhikkhu or pācattika instead of pācittiya? The Mahasamghikas and other schools sanskritized their texts to varying degrees.

I am not sure too whether pakatibhāvaṃ means 'original rules', rather it would mean 'original state'.

Remarkably, there is no English translation of the Dipavamsa other than Oldenberg's 135 year old translation.

Best wishes,
                        Bh Nyanatusita




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