From: Richard Wordingham
Message: 56327
Date: 2008-03-30
> From: "Richard Wordingham" <richard@...>Or does *h2 merely inhibit a negatively conditioned fronting? Perhaps
>> Patrick Ryan wrote:
>> > From: "Miguel Carrasquer Vidal" <miguelc@>
>> > > On Sat, 29 Mar 2008 19:48:44 -0000, "etherman23" wrote:
>> > >> If we have, for example, *H2eH3 is the
>> > >> outcome o: or a:? Does the initial laryngeal color first
>> > >> or does the
>> > >> final color first? Or is there some other rule?
>> > > It looks as if *h3 > *h2 > *h1.
>> ... '*h3 > *h2 > *h1' clearly means that the effect of
>> *h3 takes precedence over the effect of *h2, which in turns takes
>> precedence over the effect of *h1. I think the latter just means that
>> *h2eh1 > *h2ah1 > a: (last stage only as laryngeals are lost), as
>> opposed to *h2eh1 > e: with lengthening preventing colouring.
> ... if I interpret it as you see it, it is simply ridiculous.
> Why should a backing effect trump a centralizing effect?
> Explain that phonologically if you can.
> As for poor *H1, what effect does it have other than to prevent hiatus?Which made me wonder why *h1 was mentioned. However it may have been
> Winning the coloring bee over *H1 is a no-contest.
> And, as I pointed out to Miguel, that length in vowels preventscoloring is
> phonologically repudiated by the _fact_ that 'emphatics' in Arabicproduced
> 'colored' allophones of all vowels, long and short.The PIE colouring resistance is probably an instance of a