Re: [tied] Re: Indo-European /a/

From: Patrick Ryan
Message: 36920
Date: 2005-04-04

PCR: The first thing here is to look at the publishing date: 35 years ago.
 
When IEists first discovered that <h> in Hittite occurred where (most) 'laryngeals' were reconstructed for PIE, there was some misguided resistance, probably inspired by a reluctance to acknowledge that PIE had suspiciously Semitic-looking sounds in its earliest stages.
 
I would be willing to bet that Wyatt, if he is still alive, has retracted his views on <h>.
 
I would be hard put to think of anyone today who still maintains such a view about the misnamed 'laryngeals'.
 
On the other hand, I believe that PIE at its earliest had a tripartite system of vowels, a front, central, and back vowel (like Afro-Asiatic) that, when _short_, all became PIE *<e>, which was _later_ subject to stress-related Ablaut as *<ΓΈ> and *<o>.
 
Long vowels, however, retained their original quality: *<a:>, *<e:>, *<o:>.
 
Long vowels derived principally, at the earliest stage, from congruity with aspirated voiceless stops, derived, in turn, from earlier voiceless affricates */pf/  > */ph/, */ts/  > */th/, and */kx/  > */kh/, which, when giving up their aspiration, lengthened the vowels; thus */pha/ 
>  */pa:/.
 
I do not believe the Hittite evidence allows us to reconstruct 'coloring' 'laryngeals'.
 
The traces of aspirated voiceless stops are quite elusive as we all know.
 
The only way to reach this early stage of reconstruction is to compare PIE with other (I would claim) related language families (which distinguish the reflexes of stops and affricates, and the original vowel qualities), which IEists are resolutely opposed to doing, and so we proceed no farther.
 
In addition, this is the only way to reconstruct the earliest vowel qualities, with three notable exceptions: IE */g^/, */gh^/, and */k^/. They derive, I believe, from */ge/, */ghe/, and*/k[h]e/ at the earliest stage of PIE. They were not originally phonemes in their own right but merely allophones of */g/, */gh/ (earlier */gG/) and */k[h]/ before a front vowel.
 
One of the most widely employed morphemes of PIE was */?a/, which conveyed a stative. When we see a reconstruction like Pokorny's *1. k^ad-, 'fall', we can fairly confidently reconstruct an earlier */ke/, 'gray', + */?a/, STATIVE, + */d/, probably 'giving grayness' (/ke-'?a-d[a]/), i.e. 'like a dead body'.
 
Another: Pokorney's *3. ka:i[d]-, 'heat', from */k[h]a/, 'burn(ning sensation)' + */je/, PROGRESSIVE, +*/d/, probably 'giving burning sensation' (*/'k[h]a-j[e]-d[a]/).
 
Also, finally, I dispute strongly that PIE */i/ and */u/ were part of the original PIE  vowel system: they are always avocalic reductions of */j/ and */w/.
 
I realize this will be a great deal to swallow for most list-members but until we are willing to look beyond purely internal PIE evidence, we will not progress.
 
 
Patrick
 
----- Original Message -----
Sent: Monday, April 04, 2005 10:39 AM
Subject: [tied] Re: Indo-European /a/



--- In cybalist@yahoogroups.com, Andrew Jarrette <anjarrette@......>
wrote:
> Is the sound /a/ considered to be an original phoneme of
Proto-Indo-European?  Or is it only the result of laryngeal colouring
of former *e (or *o?).
********
    I find on my bookshelf a thin volume simply entitled
"Indo-european /a/" William F. Wyatt Jr.  Univ. of Pennsylvania Press
1970.
    Quoting from the back cover blurb:
     "This acutely reasoned study provides an account of the
development of the IE vowel system in its latest stages.  Prof. Wyatt
believes that previous studies have, because of a long tradition of
morphological rather than phonological analysis, introduced into the
IE language entities -- laryngeal consonants --which have no place
there. ...  He argues not only that /a/ was a part of the inventory of
IE vowels but also that it occurred more frequently and in more
positions in individual words than has previously been supposed...."
     Rejecting laryngeals is maybe too heretical to be considered
seriously, but this seems to be something you might want to read.
Dan Milton





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