Re: [tied] the rhythm and stress in Latin

From: Piotr Gasiorowski
Message: 12180
Date: 2002-01-29

It's often put like this: the last syllable in Latin is "extrametrical" (with lexical exceptions), i.e. invisible to the stress rule, no matter what its internal structure. Then we look at what remains and stress the rightmost syllable if it is heavy (CV: or CVC) or if there is no other syllable to stress; otherwise stress is placed on the next syllable to the left.
 
Moras (defined as units of phonological weight) do play a role here, because in order to capture the notion of a "heavy syllable" in an elegant way you have to think in terms of rhyme complexity (otherwise you end up with a disjunctive statement: "a closed syllable or a syllable containing a long vowel or diphthong"). If we assume that a consonant in a rhyme position (i.e. in the syllable coda) contributes one mora of phonological weight (this is a language-specific option), CV: and CVC syllables each carry the same weight (two moras) and both count as "heavy". Only CV syllables count as "light", i.e. unimoraic.
 
Words like <remitto:> or <de:ductum> are syllabified thus: re.mit.(to:), de:.duc.(tum) (extrametrical material parenthesised). The syllable-final obstruent in each penult is moraic by virtue of the position it occupies in the syllable structure. This may, but need not necessarily entail a different pronunciation. Whether <solvit> is realised as disyllabic sol.(wit) or trisyllabic so.lu.(it), the stress rule will make sure that it receives initial stress.
 
Latin avoids stress domains ("metrical feet") with a light stressed syllable at the end. This is a common phenomenon, since a metrical foot preferentially ends in a falling contour of auditory prominence (so that a change of pitch can be used to signal the location of stress), and it is hard to squeeze such a contour into a single mora. But stress (unlike tone) is a property of syllables, not of moras, and the role of the latter is restricted to assuring that there is enough "space" for stress to be placed. Actually, in disyllabic words with a light penult the final syllable was attracted into the stress foot (to prevent the creation of a suboptimal structure) and was no longer extrametrical. The phenomenon of "iambic shortening" (LH > LL, L= light, H = heavy) can be explained as the phonological reduction of a foot-final unstressed syllable.
 
There is some metrical evidence that Latin stress assignment was iterative in longer words (that is, there were secondary stresses preceding the primary one), but the details are not quite clear.
 
Piotr
 
----- Original Message ----- 
From: P&G
To: cybalist@yahoogroups.com
Sent: Monday, January 28, 2002 9:17 PM
Subject: Re: [tied] the rhythm and stress in Latin

>If we redefine these rules in terms of moras, the rule is simpler: "Stress
falls always in the >penultimate mora anteceding last vowel (conditionlas
are removed from this rule!)"

Some problems:
(a) Why should the moraic length of the last vowel be ignored, if the accent
rule is moraic?  A syllabic rule does not have that problem.

(b) You also have to handle words such as illuc, with accent on the last
syllable (!)

(c) In words like deductum you apparently would count "c" as moraic, and in
words like remitto, the first "t" as moraic, which is not particularly nice.
The traditional rule which looks at open and closed syllables avoids that
problem.

(d) You would have to add a rule that a resonant (indeed any consonant!) is
"moraic" before another consonant, but non-moraic before another vowel.
There is no evidence of such different pronunciation in these contexts.

(e) In words such as "solvit" your analysis suggests so.l.vit, but we know
that in fact it was the "v", not the "l" which was liable to pick up extra
syllabicity:  sol-uit.

And what do you mean by removing "conditionals" from your rule?

Peter